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  • 别琉莎
  • 狮子王风
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度娘,让我水水吧。
所有的都来自于IMDB。


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1
Actingis the easiest job in the world, and I'm the luckiest guy. All I have to do isbe at the studio on time, and know my lines. The wardrobe department tells mewhat to wear, the assistant director tells me where to go, the director tellsme what to do. What could be easier?
2
For seventeen years it was Mr. Mayer [MGM studio chief Louis B. Mayer] who guided me, and I never turned down apicture that he personally asked me to do.
I was this punk kid from Nebraska who had an awful lot of the world'sgood things tossed in his lap.
3
I must confess that I objected strenuously to doing Song of Russia (1944) at the time it was made. I felt that it, to my way of thinking atleast, did contain Communist propaganda.
4
It'shappens that I like the people of Nebraska.They're the best, the most hospitable, the most honest, the most trustworthypeople in our whole darned country. And you lucky Nebraskans who are stillliving there just believe me. I've been a lot of places, and I have met a lotof people, and I still say Nebraskaland has the best hunting and the bestpeople in the whole country.
5
[Abouthis childhood in Nebraska]I was not--I still am not--gregarious. I was then as I am now, uneasy when I amwith more than one person. I preferred being alone on the prairie or in thewoods, to playing football with the gang. After the school I didn't play withthe other kids. I liked to be alone by myself. An I was alone. I never ran witha group. I wasn't unhappy. On the contrary, I read a lot. I wasn't at all thedreamy sort. I had my horse. I had my bike. I always had a flock of animals tocare for. I just had enough to do on my own and that's how I preferred to doand be。


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6
I got $35 a week and my mother, grandmother and I had to live on it. There wasthat awful night when I realized we had one thin dime in the world. I had beenstudying hard at the studio, trying to do everything they told me. But I seemedto be getting nowhere, and getting there fast. I had nothing and no prospectsof ever getting anywhere. I hadn't any chance of being a success in thisbusiness but I had confidence in myself. I knew I could land something - maybea salesman's job - and make more money than I had been getting. We would be allright, then. In the morning I went to Mr. Louis B. Mayer and asked him to release me from my contract...
7
Inmy freshman year [1929] I played the leading role in the campus performance"Helena'sBoys", greatly to the disgust of Professor Gray [Herbert B. Gray. Taylor's cello teacher from1925 to 1931], who wanted to know why I fiddled about with such nonsense. Hesaid that I should concentrate on the cello, that I had the makings of aconcert artist, what had I to do with "playacting"? I couldn't tellhim. I didn't know myself. I don't know now. I only know that there wassomething in the musty smell of backstage that I like.
8
[abouthis role in Devil's Doorway (1950)] I admired the characterization because of the fact that theIndian, previously considered the "heavy" in early Westerns, is aregular guy. For once he gets a chance to tell his side of the story.
9
[October23, 1947] I can name a few who seem to sort of disrupt things once in awhile.Whether or not they are Communists I don't know . . . One chap we havecurrently, I think, is Mr. Howard Da Silva. He always seems to have something to say atthe wrong time. Miss Karen Morley also usually appears at the guild meetings.
10
Theseinvestigations, the way they are being run in Washington at the moment, remind me more ofa three-ring circus than of a sincere effort to rid the country of a realthreat. There's nothing any of us are going to tell them in Washington that the FBI didn't know fiveyears ago. Maybe it's easier to call twenty friendly names from Hollywood than to have alook at the FBI files! Maybe it's better publicity for the home-stateelectorate, too!


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16
"Knowyourself", said the wise old Greeks. That is the simple but profound maximwhich, I am convinced, has been largely responsible for my feet stepping firmlyup the movie ladder. Unless you do know yourself, your capabilities, and--whatis perhaps more important still--your limitations, then opportunity will go onknocking on your door in vain. If you analyze yourself and find out your ownstrength and weaknesses, then you have taken the first step towardsunderstanding others and being able to interpret them. In its more directapplication to the film business this will result in there being lesslikelihood of any miscasting. And, by carrying out these principles I very soonlearned to resist the temptation of "flying high" and playing rolesfor which I was temperamentally and physically unsuited.I have rigorously keptto that rule of only playing roles for which I know myself to be fitted.
17
[on Gary Cooper, after his death] Coop was the handsomest man-certainly one of the two or three best actors-ever to honor the ranks of themotion picture business. He was a very special man, darling, a very talentedman, and probably felt forgotten. You can't afford to get old in this business.It just walks away from you.
18
Looksare good or bad, according to taste. My appearance doesn't fascinate me. ButI'm not the one who has to be pleased either. It's a big help to an actor ifpeople like to look at him but it has nothing to do with acting.
19
Workingwith Greta Garbo during the making of Camille (1936) was an inspiring experience I'll never forget and that,doubtless, will leave its mark.
20
Mymetabolism doesn't lend itself to the Davis-Cagney brand of high-pressurecareering. I stayed with one studio for 20 years, took what they gave me to do,did my work. While I wasn't happy with everything, I scored pretty well.


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21
Peopleseem to think I'm a millionaire, but I'm not. I've saved a little money butevery time a chance came along to strike it rich outside the movie business,like the real estate deals of some stars, I was always a dollar short or a daylate. It's the story of my life.
22
IfI didn't need the money I make on TV, I tell myself I'd hunt and fish all thetime. Ernest Hemingway and Gary Cooper got me interested in it years ago, andlooking forward to hunting and fishing has often, in this business, kept mefrom going nuts.
23
[aboutLouis Mayer] Some writers have implied that Mayer was tyrannical and abusive,and a male prima donna who out-acted his actors. As I knew him, he was kind,fatherly, understanding, ad protective. He gave me picture assignments up tothe level that my abilities could sustain at the time and was always there whenI had problems. I just wish today's young actors had a studio ad boss like Ihad. It groomed us carefully, kept us busy in picture after picture, thusgiving us exposure, and made us stars. My memories of L. B. will always bepleasant. and my days at MGM are my happiest period professionally


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